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Available for the first time as a free download, “Rain Trilogy” collects all of my previously released field recordings in one soothing 20 minute package. Each track is not just a single recording played as it happened, but actually a collage of several different recordings layered on top of each other for a fuller sound. All three were also recorded in different locations and seasons, each having a distinctive vibe (“Relaxing Rain…” closes with a repeating keyboard line for a dark-tinted new age mood, while “Torrential Downpour…” allows the most human edge with passing cars fading in near the end). All found sounds were taped by myself in 2013 on a Tascam DR-03 linear PCM recorder into 44.1 Khz/WAV files that were then edited in Magix Music Maker 16. Headphones highly recommended, enjoy! Click on title directly below to be directed to Mediafire for free download:
Relaxing Rain and Loud Thunder
Amazing Thunderstorms over Detroit
Torrential Downpour in the City
+ album cover artwork for each track.
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RJ’s Anthology of Found Sounds (May 2011- July 2012) [<—click to stream on Soundcloud]
Anyone who has been following my mixtapes knows how integral my field recordings have become in the process, and have really turned into a whole passion of mine on their own. So for the first time you can hear my recordings all on their own, over 20 hours of audio cut down into the best 13 minutes. The resulting sound collage is a soothing, sometimes funny trip through everything from a mall parking garage announcing where your car is parked, a Muslim call to prayer, chirping crickets and cicadas, and so much more. If you are a musician, in a band, a DJ, a film producer, or ANYONE who uses and needs sound in their work, please contact me to arrange for a collaboration! Please reblog and pass along to anyone you think would be interested. All of my sounds are recorded with a Tascam DR-03 linear PCM/MP3 recorder in a high quality formats. Thanks and enjoy!
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After a three month period that saw me move to a new city, pick up even more hours at work, and battle a series of health problems, my newest and most labor intensive project yet is here for you to download. Part of my struggle came from approaching the entire mixing process differently: instead of using brief field recordings to accent transitions between songs, the bulk of the sound here is the field recordings. Most were taped over the course of two visits to my parent’s house in Romeo, MI, yet other recordings came from my old house in Ferndale, and my new apartment in Hamtramck. As time progressed and the tapes piled up, the project grew from a modest idea about representing a small town like Romeo and into a broader representation of my life over the past 1/4 year. Heavily influenced by other immersive ambient experiences like Animal Collective’s “Campfire Songs” and Jurgen Muller’s “Science of the Sea”, the layers here lend themselves to loud volume on good headphones. Also, for the first time in nine mixes I have broken with my affection for electronic music and selected mostly acoustic folk with little more than strummed guitar and voices, allowing the other sounds to fill in the mix and create a unique and transporting 43 minutes (artwork above by me, download link in title below. Enjoy!)
Intro / Sufjan Stevens - Futile Devices / Benoit Pioulard - Flouresce / Grizzly Bear - A Good Place / Bon Iver - Beach Baby / Bibio - Wet Flakey Bark / Nick Drake - Place to Be / Pink Floyd - Grandchester Meadows / B. Pioulard - Patter / Girls - Just a Song / Real Estate - Suburban Dogs / B. Pioulard - Weird Door / Bibio - Bewley in White / Ray Lamontagne - Truly Madly Deeply / Bon Iver - Minnesota, WI / Sufjan Stevens - Impossible Soul / Nick Drake - Free Ride / Fleet Foxes - The Cascades / Van Morrison - Astral Weeks / Outro
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If there is one theme I am likely to return to more than others, it will probably be in the sleep/ambient genre. I listen to music every night as I fall asleep and am constantly tweaking playlists on my ipod in search of the perfect way to doze off. Compared with “Mini Anthology of Ambient”, here you will have to strain a bit more to catch the field recordings: the crickets, waves, ambient mall chatter, cars passing in the rain and more are all there, but hidden in the background as textures so as to never compete with the music for your overall attention. The music here is still largely electronic, but has a much more orchestral feel, heard right from the beginning with Loscil’s “Endless Falls” and continued to the end with multiple selections from Stars of the Lid. Where the first sleep mix was designed specifically for an infant and by necessity had to be beatless, one slowly fades into this mix towards the end of Andrew Thomas’ “I Am Here…” and continues through The Sight Below’s “At First Touch.” Although the “beat” here is more like that of a heartbeat than anything you would hear in a club, elements like this and a few weird drone-y moments may mean this mix will serve some as a chill-out soundtrack better than for sleep. That being said I honestly have had a very difficult time making it through the full 53 minutes without being lulled asleep. A number of pieces were also taken from various Pop Ambient compilations released by Kompakt (artwork above by myself, download link in title below).
Loscil - Endless Falls & Enthalpy / H.I.A. & Biosphere - Cannon Hill / Tal - Tal’90 / Biosphere - Spindrift / Andrew Thomas - I Am Here Where Are You & A Thousand Pinholes in a Black Paper Sky / Gas - Untitled 3 (Konigsforst) / The Sight Below - At First Touch & Shimmer & Further Away / Ulf Lohmann - Java / Stars of the Lid - Requiem for Dying Mothers, pt.1 & Anchor States, pt.1 & Even (Out)+ / All - Alles Fliesst Nichts Bliebt / also w. Sufjan Stevens, Animal Collective, Manual, and various field recordings /